Wordsworth had experienced some harsh realities of life like French Revolution, War between France and England etc; hence this poem holds the spirit of Escapism from the city life to the elemental nature which, for the poet, is an ideal place. The poem depicts the relationship between Lucy and nature through a complex opposition of. That the speaker links Lucy with the moon is clear, though his reasons are unclear. The fourfold negation of life for Lucy in the second stanza----she has no motion, no force, no sight, no hearing—not only serves to emphasize more strongly Lucy's death, but it also suggests the total impact of the knowledge of Lucy's death on the poet. It is shown at times to be oblivious to and uninterested in the safety of humanity.
What does Lucy do now? Henry Crabb Robinson on Books and Their Writers. उसे दुख का आभास कैसे होता ह ै? While living in France, Wordsworth conceived a daughter, Caroline, out of wedlock; he left France, however, before she was born. Lucy, the beloved, is united with the landscape in death, while the image of the retreating, entrancing moon is used to portray the idea of looking beyond one's lover. The speaker of this poem begins by describing a state that he has been living in for an extended period of time. John's College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry and his political sensibilities. A yes B no C maybe D not known Ans. A slumber or sleep or state of unawareness sealed off the poet's spirits, kept him, in other words, from a normal awareness of the realities of life.
Her charm and loveliness was enough to devoid him of his reason. Generally reticent about the poems, Wordsworth never revealed the details of her origin or identity. As woman, her deceased body naturally returns to the earth. Answer The poet thinks that she is now a part of nature. In his sparing, careful use of such long and rhythmic words. The diction, likewise, is simple, except for the word 'diurnal', which contrasts with those around it and helps to lay stress on the heavy, blow-like rhythm of the final line, where both the finality of the poet's loss and the totality of Lucy's absorption are reinforced by the rhythm. Wordsworth partially blamed Dorothy for the abrupt loss of Coleridge's company.
A slumber did my spirit seal; I had no human fears: She seemed a thing that could not feel The touch of earthly years. The grouping was originally suggested by critic Thomas Powell in 1831 and later advocated by Margaret Oliphant in an 1871 essay. Therefore, it is difficult to say whether he is experiencing bitter grief or is in a peaceful state of mind. The darker possibility also remains that the dream state represents the fulfilment of the lover's fantasy through the death of the beloved. It means that she is dead now.
A slumber did my spirit seal; I had no human fears: She seemed a thing that could not feel The touch of earthly years. See the kitten on the wall, sporting with the leaves that fall, Withered leaves—one—two—and three, from the lofty elder-tree! It was later published in in 1807. The Letters of William and Dorothy Wordsworth. She is defined wholly by negatives; that is, we do not know who she was or what she was, only that she is no longer. A Slumber Did My Spirit Seal by William Wordsworth: Summary and Analysis 'A Slumber Did My Spirit Seal' is the greatest of the Lucy poems composed by William Wordsworth and probably one of the greatest in the English language. No motion has she now, no force; She neither hears nor sees; Rolled round in earth's diurnal course, With rocks, and stones, and trees.
These were generally intended to ridicule the simplification of textual complexities and deliberate ambiguities in poetry. Beginning in 1797, the two lived within walking distance of each other in , which solidified their friendship. . New York: Bookman Associates, 1964. The poem contains both and characteristics; Lucy is shown as wedded to nature, while her human lover is left alone to mourn in the knowledge that death has separated her from humanity.
All of this has been done to us through the eight short lines of a simple lyric—but a lyric of great compression producing a response of great intensity. In this poem he speaks about the exquisite charm, beauty, vitality, and gaiety of Lucy who was 'Nature's darling'. Of the history of that emotion, he has told us nothing; I forbear, therefore, to inquire concerning it, or even to speculate. Symbolism Emotion Nature Symbolism Symbolism allows the reader to infer on their own meaning of what the author is trying to portray. It was influenced by the American and French revolutions, it proclaimed emotions of beings faced with experiences had to endure and reflect upon themselves and the world emotionally. I chose this poem because of its ethereal sort of atmosphere. Subtly, then, the two stanzas, though dealing with two sharply contrasted ideas—the first with the intense kind of love and the second with death—are nevertheless linked through the diction of the first stanza which foreshadows on a secondary level the content of the second stanza.
Or does he feel a great peace? Aging has done to her what it does to every other living thing and she has become a true part of the earth. Some critics emphasised the importance behind Lucy as a figure, including Geoffrey Hartman b. I should have written five times as much as I have done but that I am prevented by an uneasiness at my stomach and side, with a dull pain about my heart. It is as though he can grasp the whole meaning of death only part by part: grasping the whole all at once would be overwhelming. From the table of contents, however, we are informed by the author that it is about 'A Slumber;' for this is the actual title which he has condescended to give it, to put us out of pain as to what it is about. Wordsworth characterised the two poems thus to mitigate any disappointment Coleridge might suffer in receiving these two poems instead of the promised three-part philosophical epic.
In the second stanza, the whole irony of the diction of the first stanza becomes apparent. His beloved has no human fear as she is unaffected of pain, sorrow or worries of life. Each creates an ambiguity between the and nothingness, as they attempt to reconcile the question of how to convey the death of a girl intimately connected to nature. The constant shifts in perspective and mood reflect his conflicting emotions. The poem has frequently been read as a declaration of Wordsworth's love for his native England and his determination not to live abroad again: 'Tis past, that melancholy dream! For he too is in 'a slumber', carried beyond ordinary 'human fears'; he has no regrets, no anxieties, and he feels himself turning slowly, as though he has lost his own strength and his own right to action, as though he has become a rock or a stone or a tree. This highly complex notion, characteristic of Wordsworth's attitude to the natural world, is expressed with an amazing power and with a complete absence of any philosophical or intellectual argument.