There are several different voices in this poem that put some distance between us and Ozymandias. Shelley coined several other powerful phrases in this poem and the final lines have entered the language and have been used for the titles of several books and games. Ozymandias thinks pretty highly of himself and of what he's achieved, both politically and artistically. Lines 1-2 I met a traveller from an antique land Who said. Question 5: The writer uses alliteration as he ends the poem to emphasize that man has no hope, no capabilities to fight and emerge victorious, against nature and time. The second complete sentence, which begins in line 3, is a good example. But if you think these lines are unclear, you're right.
He could also be calling attention to the numerous colossal statues of him, such as the one described in this poem. The sentence has a lot of separate clauses that resemble complicated Latin sentences from two thousand years ago. Late in 1817 and his friend Horace Smith decided to have a sonnet competition — that's right folks: a sonnet competition! Had he wanted to, he could have stamped out any of his subjects who offended him. We have no idea where this rendezvous takes place, which is very weird. The statue that inspired the poem was partially destroyed, and the poem frequently reminds us that the statue is in ruins.
He tells the speaker about a pair of stone legs that are somehow still standing in the middle of the desert. The statue's head is half-buried in the sand, after all, and we are left wondering what role the erosive force of dust storms, wind, and rain played in its destruction. The traveler could be coming from a place that is ancient, almost as if he were time-traveling. What does this vagueness contribute to the poem? The traveler could be coming from a place that is ancient, almost as if he were time-traveling. The pause here mimics the traveller's intake of breath before telling his story, dramatising the moment as well as creating distance between the description of the statue and the poet's retelling, almost as if recalling from memory.
Lines 2-4 …Two vast and trunkless legs of stone Stand in the desert. Does it suggest some kind of cyclical, history-repeats-itself, idea? He can do what he wants without thinking of other people. If Shelley were writing this poem now, he might take as his subject the famous statue of that was pulled down after the dictator was overthrown. The sculptor knew well the nature of the tyrant. Maybe if we keep reading we'll find out.
The other major sonnet form is the Shakespearean or English sonnet; it too has fourteen lines, but is structured as a series of three quatrains of four lines each and a concluding couplet consisting of two consecutive rhyming lines. Maybe he thinks that the sneering makes him look powerful. He was passion-frenzy in dictating others. So the sculptor both belittled and copied this man's passions. Ozymandias's physical power was long gone to his death. The poem conveys the message that man is mortal.
He had obviously read about it in some other source also since he knew that the statue was no longer intact. Ozymandias, the most outstanding political sonnet written by P. Is it on the street? If something intangible is forgotten, does it cease to exist? But if you think these lines are unclear, you're right. There was probably once a temple or something nearby, but it's long gone. When we imagine a desert, we often imagine a really hot place with lots of sand that is, appropriately, deserted. The speaker describes a meeting with someone who has traveled to a place where ancient civilizations once existed.
The theme is the decline of all leaders, of all the empires they build, however mighty they may have been in their own time. If anyone wishes to know how great I am, then let him surpass any of my works. Lines 1-2 I met a traveller from an antique land Who said. The poem conveys the message that man is mortal. The statue doesn't literally speak, but the frown and sneer are so perfectly rendered that they give the impression that they are speaking, telling us how great the sculptor was. The narrator reports what the traveler said to him.
Would he be humbled or would he find some other way to boast? Now one looks and sees nothing whatsoever. Pharaoh Ozymandias was a cruel tyrant, who thought himself to be the most mighty person on earth; almost as mighty as a god. But if you think these lines are unclear, you're right. The stretching of the 'lone and level sands' in every direction cover any buildings or rich farmland that may have flourished here. His strength, works or ego - nothing had remained.
Nothing more except the empty desert. Perhaps Shelley chose the medium of poetry in order to create something more powerful and lasting than what politics could achieve, all the while understanding that words too will eventually pass away. So the sculptor both belittled and copied this man's passions. The word could also make you think of the ruler's power. Shelley thus points out human mortality and the fate of artificial things. These lines suggest that good art has the ability to embody and preserve passions over several thousand years; the statue is like a piece of fossilized amber, but instead of a prehistoric fly, what remains are Ozymandias's passions, kept neatly encased for later viewers. Essay about An Analysis of Ozymandias - Bartleby.